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Recordings 

What the critics are saying... 

Jane Eyre by Nils VigelandJane Eyre by Nils Vigeland is now available from EMF Media and is available for purchase on CDeMusic and Amazon

REVIEW: "This collection of Nils Vigeland's music is dramatic and elegant! False Love True Love is a chamber opera in two acts based on two scenes from Charlotte Brontë's Jane Eyre. The work has but two characters, and consists of two pivotal scenes between the protagonists: the meeting between them immediately following their unfulfilled marriage ceremony, and their first meeting after many years of separation. The musical inspirations for his Five Nocturnes are diverse: Ives, Gershwin, Chopin and the environmental sounds of last call at an Irish pub. 'Two Days', written two days after September 11th, 2001, is Vigeland's musical reaction to the attack on the World Trade Center. Featured performers are Amy Goldstein, soprano; Brad Cresswell, baritone; the Locrian Chamber Players; and Jonathan Faiman, piano."

Play On: Music for the Actors Company Theatre

Amy Goldstein is the vocalist on Play OnPlay On: Music for The Actors Company Theatre is now available. 

To purchase copies please e-mail  info@tactnyc.org. CDs are $15 each plus $3 shipping and handling.

Bay Mir Bistu Sheyn: Great Songs of the Yiddish Stage, Volume 2

Great Songs of the Yiddish Stage, Vol. 2Milken Archive of American Jewish Music (Naxos Records)

To hear Ms. Goldstein sing two entire songs from this CD visit www.milkenarchive.org/ and click the photo where it says Great Songs of the Yiddish Stage Vol. 2. Ms. Goldstein sings tracks 10 and 13.

Music of Charles Davidson

Music of Charles DavidsonMilken Archive of American Jewish Music (Naxos Records)

Read the press release
Click here for info on the Milken Archive recordings.
Click here for info about the Naxos recording label.

Abraham Ellstein: Great Songs of the Yiddish Stage, Volume 1

Milken Archive of American Jewish Music (Naxos Records)

Read the reviews!
Order the CD on Amazon.com 
Click here for information on the recording on Naxos.

Click here for info on the Milken Archive recordings.
Click here for info about the Naxos recording label.

Music of Gershon Kingsley

Includes the world premiere recording of 
Voices From the Shadow
.  

Read the article

What the critics are saying...

"Amy Goldstein is gorgeous in a romantic duet with Simon Spiro from Ellstein's 1946 Second Avenue Theatre musical, 'Ikh Bin Farlibt' ('I'm in Love')."

--The Washington Jewish Transcript

"The performances are nothing short of terrific. The Milken Archives have done things up with a ribbon and a bow. Nothing chintzy here. The singers all know how to put over a song, and, amazingly...Elizabeth Shammash, Nell Snaidas, and Amy Goldstein play the ingenue in love, each from their own point of view. Tenor Benzion Miller and baritone Robert Abelson tug at the heartstrings, depicting, respectively, an immigrant wondering about his small town back in Europe and an old man working as a dishwasher, thrown out by his grown children -- a Jewish Lear. Bruce Adler, a terrific comic singer, does the Yiddish mega-hit "Ikh bin a 'Boarder' bay mayn Vayb" ("I'm a boarder at my wife's"). In fact, my only complaint is that he doesn't do all the verses (did reasons of "propriety" enter into this decision?). Elli Jaffe, leading a Spanish (!) orchestra, provides clean, close, and lively accompaniment.

"One of my favorite Naxos discs. I'm on the lookout for volume 2."

 --S.G.S., Classical CD Review, March 2004
(To view the entire review, please  go to:  http://classicalcdreview.com/milkensongs.html.)

Great Songs of the Yiddish Stage Volume 1: 
Abraham Ellstein and Other Songwriters of His Circle

(Milken Archive) ***

"Yiddish songs don't always mean klezmer music from eastern Europe. Ellstein (1907-1963) worked in the golden age of Broadway, just not in English... He was the only major Yiddish composer of the era born in the United States. His papers also included a Juilliard School of Music education.  Ellstein's songs share their melodic gifts like Richard Rogers, just without the rhymes of Oscar Hammerstein. The jarring thing is hearing clearly American stage music in a language that once belonged to Eastern Europe.  Yiddish is now mostly an American language, which is ironic considering the effervescent orchestra on this recording is European, the Vienna Chamber Orchestra.  The inspired singers include Simon Spiro, Elizabeth Shammash, Amy Goldstein and Robert Bloch."

--Frederick Kaimann, NJ Star Ledger

"The composers represented in this set are Abraham Ellstein, David Meyerowitz, Ilia Trilling, Abraham Schwartz, Reuben Doctor, and Herman Yablokoff. Nine singers, all excellent, do the honors: Robert Paul Abelson, Bruce Adler, Robert Bloch, Benzion Miller, Elizabeth Shammash, Joanne Borts, Amy Goldstein, Simon Spiro, and Nell Snaidas. Because complete or authoritative orchestrations for the Yiddish stage have not survived, the Milken Archive commissioned new but historically considered orchestrations, which capture the flavor of the Yiddish theatre. The Vienna Chamber Orchestra, conducted by Ellie Jaffe, evokes its ambience.

"I found this a joy, and because good music well played and interpreted is ecumenical, one need not be Jewish to enjoy it. There are copious notes, including the texts (in English) of all the songs. Excellent sonics." -

-- Gerald S Fox, American Record Guide, Jan-Feb, 2004

"...In Abraham Ellstein: Great Song of the Yiddish Stage, Volume I, 10 singers collaborate in 16 songs of one of America's great, neglected songwriters and some of his colleagues. In this, as in all of the vocal recordings, translations are supplied, as well as richly informative essays. These five discs are, in imagination, price, value, performance and presentation, a model of what the record industry should be doing to meet the challenges of the 21st century..."

--Joe McLellan, classical music critic emeritus of The Washington Post, September 26, 2003 

"RECORDINGS: JEWISH MUSIC. The first 5 of 50 compact discs carrying more than 600 newly recorded sacred and secular works of American Jewish music are to be released today on the Naxos label. Since 1990 the Milken Family Foundation has spent $17 million on this project, and it said that the release of the first recordings was timed to herald the 350th anniversary of the arrival of the first Jews on American soil, to be celebrated next year. The 50 CD's are to be released over the next several years. The first five recordings include the world premiere of scenes from "The Eternal Road" by Kurt Weill; "Great Songs of the Yiddish Stage, Volume 1"; Judaic compositions, including "Service for Sabbath Eve," by Mario Castelnuovo-Tedesco; klezmer-inspired concertos and encores by 20th-century composers, and a sampler disc, "Introducing the World of American Jewish Music."

-- The New York Times

"The tuneful, rhythmically captivating songs combine influences from Viennese operetta, gypsy music, Jewish popular and liturgical music, and American popular music of the period. Most of them are love songs, sweet, cynical, or sad; there are also streaks of anger and irony in some of them."

                               -- Richard Dyer, Boston Globe

 REVIEW OF "GREAT SONGS OF THE YIDDISH STAGE, VOLUME 1"

Performance: Revelatory [*****]        Recording: Superb [*****]

"If there was no other release in this series compiling selections from the Yiddish American Theater, this one would still stand as a must hear for any serious student of musical theater. The overwhelming notes by Neil Levin in the accompanying booklet do the music and topic a great service that are worth the price of this Naxos release alone. Translations are included but without there counterpart languages printed at all. This will be more difficult for some to follow even though the songs are all sung with great enunciation and superior musicality.

"The music included here derives from a variety of musical influences and situations. Most audible are musical connections to Eastern Europe, gypsy music, folk song, and popular theater music from the late 19th to early 20th centuries. There are four main categories of musical examples spread out among the sixteen selections. Music from the American musical Yiddish theater with subsets of songs from incidental music for plays at the Yiddish Art Theater and songs from the labor-oriented depression era Arbeter Teater Farband. Students of vaudeville will be intrigued by the samples of songs taken from the 1880s to 1930s. Film students may be interested in the selections taken from Yiddish film musicals. Others will revel in familiar songs written for radio that derived their style from the Yiddish Theater, often included in what are called "Second Avenue" style pieces."

--Steven A. Kennedy, The Music Buffs Web Pages

 

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Last updated 11/23/2005